Tag: Book



The Great Disruption

March 4th, 2013

This blog post is titled ‘The Great Disruption’ for two reasons. Firstly because of my recent interstate move, and secondly after the title of a book I have recently read.

Moving to Canberra

In January 2013, I moved from Brisbane to Canberra – the capital city of Australia. While it’s exciting to be in a new city after 10 years living in Brisbane, the move has been very disruptive to my cartooning. I underestimated how much time it would take to pack up / clean up my old house in Brisbane, as well as how time-consuming Canberra house-hunting would be.

The good news is, after weeks living in temporary accommodation, I moved into to a permanent home 7 days ago. Here’s the view of Parliament House from a hill 20 minutes walk from my home.

I wrote this blog post 2 weeks ago...but didn't post it until the weather cleared to take a half-decent photo of Canberra for you!

My Canberra postal address is PO Box 4666, Kingston, ACT, 2604, Australia, in case anyone wants to surprise me with a postcard or letter! I will hang onto that PO Box as long as I am living in Our Nation’s Capital (check my ‘About‘ page).

Rat Park

I am now able to resume work on Rat Park after an approx 8 week gap. My possessions (including PC) had been in storage for that period of time, so I was definitely able to see the strip with fresh eyes!

Apologies to my crowdfunding supporters for the ‘radio silence’ on the progress of their comic. To recap: the Pozible campaign was successful, and I decided to extend the length of the comic from 28 pages to 40 pages. Script-writing and layouts are complete, and the line art for Rat Park is currently well over 75% completed.

Here’s an overview of all 40 pages of the comic, in their unfinished state:
Rat Park comic by Stuart McMillen - overview of all 40 pages as of 3 March 2013 (unfinished)

All that needs to be done now is to complete the remaining line art, colouring/shade the panels, print physical copies for supporters, translate from English into other languages, and publish to stuartmcmillen.com. I expect the printed copies to be sent around Easter 2013, with the web launch timed to when these parcels will hit mailboxes.

For your patience, here is a 4-page sequence from Rat Park (pages 25-28). As you can see, the colour/shading is not yet done.

Rat Park comic by Stuart McMillen - page 25 (unfinished - line art only)Rat Park comic by Stuart McMillen - page 26 (unfinished - line art only)Rat Park comic by Stuart McMillen - page 27 (unfinished - line art only)Rat Park comic by Stuart McMillen - page 28 (unfinished - line art only)

Future comics: the research continues

Even though my artwork routine was disrupted, I tried to make the most of my recent downtime.

On my first day as a Canberran, I became an ACT Library member, and started borrowing at a prodigious rate. Subject matter included obvious ones like graphic novels (The Complete Persepolis by Marjane Satrapi) and sustainability titles (Life Without Oil by Hallett and Wright), but also some more out of left-field (The Grapes of Wrath by John Steinbeck). Grist for my mill.

The Great Disruption

One of my favourite reads from this period is The Great Disruption (2011) by Paul Gilding. It is a book about the social-economic crisis which will soon occur as a result of climate change, peak oil and ecosystem exploitation.

the-great-disruption-paul-gilding

Paul Gilding manages to put a fresh twist on what, for me, is an old issue: I have been well-versed on these environmental problems for the past decade.

Gilding’s skill is rapidly moving beyond discussing ‘the problem’ (which he does in seven swift chapters) to the mass-rebuilding effort which will be necessary for our society. He acknowledges that our civilisation will face great hardships in this transition period, including much conflict and the inevitable deaths of billions of people – a fact he does not take lightly. However the core of his book outlines his rational evidence that we will overcome our destructive impulses and pull together to rebuild a world better than we currently know.

World War II

A large case-study which Gilding draws upon is the response of Allied nations to the Nazis in World War II. He points out that despite mounting evidence of the Nazi threat during 1930s, the Allies did not actively enter the war until the flashpoint of the Polish invasion in 1939: an example that social dynamics mean that change happens slowly at first, and then incredibly fast. Gilding compares this to climate change, which is a clear and undeniable threat, waiting for a flashpoint to mobilise a response.

And what a response it was! Gilding remarks upon the speed of Britain’s response, and the way the country turned on its head overnight. Suddenly the whole country was working together, working with a common purpose. Great sacrifices had to be made to the economy to continue the war effort, including food and petrol rationing. However public spirits remained optimistic and accepting of the necessary limitations imposed on their private lives. Importantly, despite decreasing material living standards (e.g. rationed food), UK civilian public health and social unity actually improved during World War II.

Though peak oil and other resource constraints will soon force our society to ‘take a haircut’ and rein in our consumption, Gilding is optimistic that this can largely be done in a way that avoids spiralling into chaos and conflict.

Factory worker portrait - black and white cartoon artwork

Reflections on my comics: my role as a ‘voice’

The Great Disruption also helped me to reassess my role as a voice within the ‘sustainability’ community. To date, a huge part of my role has been to communicate issues which are on the fringes of popular understanding. Examples include the linear nature of our economy, the efficient way nature builds itself, and the dangers of unchecked growth.

It has been frustrating trying to popularise these views while seeing society behaving in ways opposite to what is necessary. We are, for the most part, still a Type I system.

In his book, Paul reflects on the roles of the leaders and ‘voices’ of the sustainability movement, and the challenges we face in a world that continues not to listen. He argues that the mass-acceptance of our environmental and economic predicament will be sudden and swift. So far a few cracks have appeared on the dam of status-quo (e.g. people like Paul and I), but soon the wall will burst, and a flood of understanding will wash away the ignorance and denial.

I now see that the biggest role of the ‘green’ community is simply to keep our flame alive. It will take a crisis before the rest of society calls upon our knowledge, so our most important job is to keep our blueprints on the table until the politically impossible becomes the politically inevitable.

Grab a copy

You can grab Paul Gilding’s The Great Disruption from your local bookshop/library, or from these affiliate links: new / used.

Amusing Ourselves to Death

March 26th, 2012

Long-time readers will remember a comic I posted in May 2009 called Amusing Ourselves to Death. It was an adaptation of the foreword to Neil Postman‘s Amusing Ourselves to Death, a book originally published in 1985. The passage compares the futuristic visions of George Orwell’s Nineteen Eighty-Four with Aldous Huxley’s Brave New World. It suggests that the greater danger to society is not the iron fist of government from Orwell’s vision, but the attention-sapping distractions of technology depicted by Huxley.

George Orwell cartoon. Aldous Huxley drawing. Amusing Ourselves to Death comic. Neil Postman. Nineteen Eighty-Four. Brave New World.

This comic was respectfully removed from my website in March 2012 due to the wishes of the Neil Postman’s estate. After 2.5 years in the wild, I decided it was time to formally clarify my position with the copyright holder regarding their feelings on the piece. I proactively contacted them, and received notification that they would prefer the comic was removed. Respecting their wishes, I removed the comic without hesitation.

What follows are some reflections on a comic which has been removed from the internet. A piece of my back catlogue which I am walking away from.

A selection of drawings (minus Postman’s text) are interspersed throughout this post.

Cartoon family sitting around television. View from behind TV. Drawing of dark room. Screen glare.

Amusing Ourselves to Death: a cover version

Amusing Ourselves to Death was an anomaly of my back catalogue. The only one not fully written and drawn by me. A ‘cover version’ of sorts.

The comic was also a milestone of my back catalogue. One of the ones that made me pull up my socks. The reasons for this are twofold. Firstly I rose to the game of conveying the story through my artwork. The second factor was the reader response, which was quite unlike anything I had seen before. Word of mouth spread, and a lot of eyeballs were pointed my way.

After a relatively quiet few days on the web (albeit with a good response from regular readers), things soon went bananas. The comic reached the front page of reddit.com, and 31,500 readers accessed the comic within a 3 hour window. A victim of its own success, this spike in traffic choked the performance of other websites on its shared server (I had only paid for a ‘budget’ AU$30/year hosting account). The host pulled the plug on me.

Drawing of 1984 Big Brother from Apple Macintosh advertisement. Crowd watching face on screen.

Drawing Amusing Ourselves to Death: motivations

Let me step back and describe my original motivations behind the comic.

My intentions regarding Amusing Ourselves to Death were always honest. Hyped up after reading Neil Postman’s book in 2009, I intended to draw a ‘teaser’ comic which would compel readers to read Amusing Ourselves to Death in full. Judging by reader feedback, that is what happened. Many people contacted me saying that I had turned them onto Amusing Ourselves to Death and then liked what they read. The comic clearly referenced Postman’s book as the source of the text component of the piece. I did not sell the comics for money or profit from it.

Of course, motivations are one thing, and the law is another. I created the comic as a complete amateur, operating a non-profit website dedicated to sharing ideas with the world. As time passed, I found that creating comics became what I wanted to do professionally, and Amusing Ourselves to Death’s presence on my server became a grey area of uncertainty. I was moving towards a future with comics as a legitimate way for me to earn a living. Could I continue displaying Amusing Ourselves to Death on my website?

Electronic distractions cartoon. Drawing of man in front of glowing computer screen. Dark room.

Copyright law

I fished around for opinions. Some people tried to reassure me “it falls under Fair Use, mate”. But the more I read into copyright law, the more uncertain I became. Was the comic transformative enough to be considered Fair Use? I had used less than 1 page of text from a 208 page book, but had I taken the ‘essence’ of the book?

It became clear that even if I was fully complying with the law, that would not be enough to prevent legal action being brought against me. I read with horror the Kind of Bloop case. Would the copyright holder of Amusing Ourselves to Death have the same reaction?

Drawing of eye looking down tunnel of pipes. Cartoon of Germano Facetti's George Orwell Nineteen Eighty-Four paperback book cover.

Asking the question

The answer became clear: to ask the copyright holder directly. A US Library of Congress search pointed me in their direction, and I emailed my request. Thankfully their simple response was to politely ask for the piece to be removed.

Cross section of apartment building cartoon. Drawing of people in rooms watching TV.

Moving forward

So the bite-sized comic about the dangers of our limited attention spans (ironic, eh?) is no more. The comic has been deleted from my website, and I feel good respecting the wishes of the copyright holders.

I still own the copyright to my drawings from the Amusing Ourselves to Death comic. Some of my favourites appear in this blog post. But I see no point in putting the wordless series of postcards online at recombinantrecords.net. It’s time to move on.

The question marks are gone. I now have a body of work which is 100% owned by me. And more are in the pipeline right now.

For those of you that missed the comic the first time around, why not go straight to the source. Neil Postman’s book changed my view of the world, and caused me to alter many of my attitudes and habits. Buy Amusing Ourselves to Death new/used (aff), or track it down from your local library.

Ishmael by Daniel Quinn

January 20th, 2012

This is the second in a two-part series about my favourite books from the last two years. Blankets by Craig Thompson is the other post in the series.

These are not books which were written in 2010 and 2011. Rather, they are books which I discovered in those years.

Daniel Quinn Ishmael book cover

Favourite book of 2011: Ishmael by Daniel Quinn (released 1992)

Although I have read books on environmentalism for many years, I was still blown away when reading Daniel Quinn’s Ishmael for the first time in 2011.

With Ishmael, Daniel Quinn shares the fruit of his quest to understand why our civilisation acts the way it does. Why does our civilisation act toward other cultures in the way we do? Why do we act toward nature in the way we do? Is it human nature that makes us behave in this way, or something else?

Writing style

Ishmael is a book which impressed me both because of its actual message, as well as the way in which the author reveals his ideas to the reader. Most books on sustainability present ideas in a straight-forward, non-fiction way. The arguments may be supported and heightened with poetic prose (e.g. Natural Capitalism, Cradle to Cradle and Biomimicry), but they are quite direct and structured in making their arguments.

Quinn takes a different approach with Ishmael. The book is presented in a quasi-fictional setting, with almost the entire book consisting of a dialogue between a teacher and a student. Instead of presenting the ‘answer’ to the student right away, the teacher helps the student deconstruct his existing worldview. Once this is complete, an alternative perspective is constructed throughout the course of their conversations.

Involving the reader

By writing the book in this way, Quinn gives the reader a heightened sense of involvement. The reader is invested in the character of the student, and therefore also invested in learning from the teacher. On one hand, this is both frustrating when the answers don’t come easily. But at the same time, it makes for a page-turning book because of the way the answers are pieced together through their discussion. Because of the gradual way things are revealed, information which may have seemed ho-hum in a regular textbook seem almost revelatory in Ishmael.

Ishmael (and the Daniel Quinn books that followed it, such as The Story of B, and Beyond Civilization) have their critics. But to my mind, they are mostly from people who bring their own hangups and preconceived ideas into the free-thinking territory which Daniel Quinn operates. Even if the answers which Quinn presents may not be satisfactory to everyone, he is certainly asking very interesting questions.

Personal responses

Ishmael helped me piece together personal observations which had previously been held separate in my mind. It also presented new, unique ways of looking at humanity and the environment. One small response to the book can be found in my Purpose comic. Finally, Quinn’s storytelling technique gave me ideas into new ways which complex ideas can be explained to others.

Of everything I read last year, this was my favourite. If you like my comics, I am sure you will enjoy this book. Buy Ishmael new / used (aff).

Blankets by Craig Thompson

January 10th, 2012

This is the first in a two-part series about my favourite books from the last two years. Ishmael by Daniel Quinn is the other post in the series.

These are not books which were written in 2010 and 2011. Rather, they are books which I discovered in those years.

Graphic novel cover art - Blankets comic by Craig Thompson

Favourite book of 2010: Blankets by Craig Thompson (released 2003)

Much has been written about this awesome graphic novel, and I want to add my voice to the chorus. A 582+ page lump of paper, Blankets was mediculously crafted over a period of years, as the writer-illustrator Thompson worked day jobs to make ends meet.

The book is an autobiographical story which tells Thompson’s experiences growing up in small-town Wisconsin in a religious family. Craig finds love for the first time at a Christian holiday camp – a love soon to be tested by the interstate distance that separates his new flame’s home from his own.

Blankets brothers Phil and Craig Thompson in bed as boys

Blankets‘ title comes from a recurring motif of the book. Firstly from the childhood scenes in the book where Craig is shown sleeping in the same bed as his brother (with all the associated hijincks that come with kids sharing a bedroom). The experience of sharing a bed again arises when the teenaged Craig first stays over at his lover Raina’s house.

Thompson’s way of conveying the experience of falling asleep next to a partner for the first time is spot-on, with feelings conveyed both through the text and artwork. The images engage not only my sense of sight, but also touch, with his distinctive brush strokes. The story is perfectly told in comic format, with the medium bringing to the fore storytelling possibilities that would simply not be offered by alternatives such as film or literature.

Blankets Craig Thompson and Raina hugging on bed

The book shines because of how much Craig Thompson opened himself up when writing the book. This must have been a hard thing to do, as the book is based on real events, and all characters are flawed to some extent. As well as exposing the sensitive parts of his own life, Thompson also presents less than flattering portrayals of his still-living parents. This extensive interview from the period after Blankets‘ release gives some insight into aspects of the book’s creation and aftermath.

Blankets Craig and Raina meeting. Awkward body language.

Criag Thompson’s Blankets is a shining example of the excellent storytelling potential which comics have to offer. If I could ever create an epic work that comes close to matching Blankets, I would be a happy man. Do yourself a favour and check it out.

Buy Blankets paperback new / used or hardback new / used (aff).

Supernormal Stimuli thoughts

December 2nd, 2011

Why are we drawn to excessively sweet and fatty foods?
Why do we find it hard to pull our eyes away from the flicker of TV sets in waiting rooms and cafés?
Why are we compelled to check and re-check our inboxes and Facebook pages throughout the day?
Why are we drawn to the magnetic lure of pornography?

An explanation to these questions may be found in my latest comic – Supernormal Stimuli.

Supernormal Stimuli reptile brain raptor velociraptor human silhouette drawing cartoon.

Niko Tinbergen’s research into supernormal stimuli

I first heard of the ‘supernormal stimuli’ concept in February this year. American author Daniel Akst was visiting Australia to promote his book We Have Met the Enemy: Self-Control in an Age of Excess. During the Brisbane talk, Dan mentioned the studies of biologist Niko Tinbergen into the root of instincts. I was intrigued by his stories of animals being fooled into outrageous behaviours, including:

  • Songbirds choosing to sit on enormous fluorescent blue eggs rather than their own small, pale blue eggs.
  • Geese attempting to roll volleyballs into their own nest in preference to their regular-sized eggs.
  • Male butterflies ignoring receptive females to instead mate with wingless vibrating dummies.

Supernormal Stimuli cartoon of Niko Tinbergen scientist looking into binoculars at insects

Akst related the concepts to humanity by discussing armchair sports fans, overeating, gambling and pornography. He quoted a Kurt Vonnegut novel where characters discuss a photo of a sexy French girl (“That’s not a girl. That’s a piece of paper.”) My interest piqued, I decided to investigate the supernormal stimuli concept further.

Researching the Supernormal Stimuli comic

For an intriguing field founded by a Nobel prize winner, there was surprisingly little discussion of supernormal stimuli on the internet. I took it upon myself to fill the gap and relate Niko Tinbergen’s work on animals to contemporary human society.

A major reference point was the 2010 book Supernormal Stimuli: How Primal Urges Overran Their Evolutionary Purpose by Harvard professor Deirdre Barrett. With detailed biographies of Niko Tinbergen seemingly non-existent (in English anyway), the book gave insight into Niko and his life’s work.

Professor Barrett’s book discusses the food/TV/cute characters/pornography examples which I touch upon in the comic. It also describes less obvious (and perhaps more tenuous) supernormal stimuli spin-offs including modern warfare and the concept of money.

Supernormal Stimuli drawings: burger fries soft serve, remote control, PS2 controller, female behind

At 216 pages, Deirdre Barrett’s book is a nice dip into the concept of supernormal stimuli and the role it may play in our lives. Aimed at a popular audience, the book feels a little light in places, but nonetheless is an enlightening read. Although her book has fewer velociraptors than my comic, her conclusion is similar to mine: get off the plaster egg.

Lessons learned

In some ways, publishing Supernormal Stimuli is a little like publishing Amusing Ourselves to Death in 2009. Both comics force us to look into our blind spots and see things that are hidden in plain sight. Which begs the question to me, the artist: “so what have you done about it?”

Supernormal Stimuli cartoon: wild food in forest versus salad bar drawing

In both cases, the main change is awareness. Awareness that the reason we are drawn to sickly desserts is because they are sweeter than any naturally-occurring fruit. Awareness that watching television activates the primitive ‘orienting response’, keeping our eyes drawn to the moving pictures as if it were predator or prey. Awareness that liking ‘cute’ characters comes from a biological urge to protect and nurture our young.

I have not removed supernormal stimuli from my life, nor do I intend to do so fully. The key is spotting the stimuli as they appear, and engaging the mind to regulate or override temptation. I echo Deirdre Barrett’s conclusion that sometimes it can feel more rewarding to say no to the supernormal, than to cave into impulse. Only awareness will help stop the supernormal from becoming what is ‘normal’ in our lives.

Footnote

Supernormal Stimuli by Stuart McMillen is available as a DRM-free PDF download for US$2.
Supernormal Stimuli: How Primal Urges Overran Their Evolutionary Purpose by Deirdre Barrett is available as a hardcover book new/used (aff).

Buying through those links helps me raise income to keep drawing new comics. If you liked reading the comic, consider supporting me financially or otherwise.
Supernormal Stimuli is the flagship comic that I launched my stuartmcmillen.com website with in April 2012. It is also the first ever comic I am offering for sale via PDF files. I look forward to seeing how the experiment goes!

Two years and one day of reading

July 28th, 2011

It’s been a while since I last published a list like this. Below is a list of the books I have read over the last two years. I’m trying to mix up my usual raft of environmental/sciencey/economic non-fiction. Newly in the mix are some classic fiction (e.g. Moby Dick, The Catcher in the Rye and Treasure Island), along with modern classics from the graphic novel stable (e.g. Maus, Blankets and Sin City).

Fiction

Comedy / humour

Environment / sustainability / business

Biography

Science / psychology / social phenomena

Comics / graphic novel

Comics theory

Music / entertainment

Miscellaneous literature / non-fiction

There were a lot of great titles in that list, but the two that touched me most were Blankets (which I read in 2010) and Ishmael (which I read in 2011). Click those links for my full thoughts on those two books.

The Clash

September 22nd, 2009

I am currently reading Paul Gilbert’s 2005 Clash biography “Passion is a Fashion” for the third time in three years. It is the most definitive account of the band’s history that I can imagine reading and, indeed, one of the best books about music that I have read.

The Clash 1980 Mick Jones, Joe Strummer, Tower Theater, Philadelphia, 1980
Photo credit: Todd Heft

Gilbert has an excellent subject to work with, of course. The Clash embodied such a rich mixture of music, politics, image, style and substance, evolving continuously throughout their career. I am particularly intrigued with the working relationship of the main songwriters Mick Jones and Joe Strummer (above). It is amazing to read about their partnership, each man possessing an element the other lacked, and to appreciate the way they combined to a legacy greater than the sum of their parts.

I wanted to share an anecdote from 1978 that stood out to me:

Later the same day, in Aberdeen, [Clash associate] Johnny Green was nearly killed. The beige Ford Granada estate the group was travelling in had stopped at the entrance to the Aberdeen Music Hall’s car park. Green, who was behind the wheel, had opened the driver’s door and was standing up, leaning out to see what the hold-up was ahead. Then the car slipped out of gear. ‘The car is veering into a concrete wall, and the door is gradually closing, crushing me alive’, recalls Green. ‘Joe is in the passenger seat and starts crying. He’s going, “Oh God! Johnny’s dying. He’s going to be killed!”. Meanwhile, Paul and Topper leap out of the back seat and are in front of the car, trying with all their strength, without any effect, to stop it rolling forward. I think I’m a goner at this point, this is serious stuff. Then Mick leans over and calmly pulls the handbrake on. Thank God for Mick Jones! I thought that little crisis neatly summed them all up.’

“A Climate for Change” book review

September 10th, 2009

Brisbane-based online bookstore Sustainable Insight have asked me to review books for them on a periodic basis. Here is a review that I completed in late July.

Di Worrall A Climate for Change book

There is a palpable feeling among many people, myself included, that ‘business as usual’ is not producing satisfactory outcomes for Earth’s natural environment, nor for the bulk of humanity. The challenge, therefore, is to transition our society towards a future that is more environmentally benign and socially rewarding, without stalling the economic engine of productivity. Enter Sydney’s Di Worrall with her 2009 book “A Climate for Change“.

Despite the title and imagery on the front cover, “A Climate for Change” actually has little intrinsic connection with the issues of climate change or even the nuts and bolts of running a business sustainably. Instead, the book should be shelved alongside management/self-help books in the vein of Stephen Covey’s “The Seven Habits of Highly Effective People”. The intended audience of “A Climate for Change” is anyone who can imagine things being different. Worrall is quick to warn of the smorgasbord of emotions and abundance of obstacles, internal and external, that will be encountered by those wanting to change the status quo. “A Climate for Change” is put forward as a handbook for navigating the pitfalls and prizes of change: firstly securing change in yourself, then inspiring others, and eventually ensuring that changes sticks.

Yes, change is the key word here. Rather than being written solely in response to environmental issues such as global warming, Di Worrall seeks something bigger, and keeps her advice adaptable to scenarios not limited to such ecological problems. Parts of the book sometimes have pages and pages of text between even small mentions of topics relating to environmental sustainability. Readers hoping to gain inspiration from battle stories of environmental sustainability practitioners may be disappointed by the general nature of the book’s advice. For this reason I would mainly recommend “A Climate for Change” to those with a specific problem or project in mind before opening the book.

Di Worrall’s “A Climate for Change” contains information that will be of use to readers embarking on personal projects of change, but as a whole falls short in its execution. Unfortunately, the bulk of material is presented in a generalised fashion that is short on examples and therefore not vivid for me as a reader. This is my main disappointment, as I cannot fault the information put forth in the 278 pages of this book. With many books in this genre being peppered with case-studies and ‘hands-on’ examples of transition, the abstract style of “A Climate for Change” feels stark by comparison. To me, “A Climate for Change” is not a page-turning book I would likely read in full again, but is certainly one that I will keep on hand for the times when I can put its perspectives to use.

Stuart McMillen is the organiser of the monthly Green Drinks Brisbane event.